13 research outputs found

    Stitch, bitch, make/perform: wearables and performance

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    The current technology fervour over wearable technology that collects user’s intimate body data, under the pretence of medical or fitness monitoring, highlights that it is time that critical questions were raised, in a variety of ways. The ethics of corporate ownership of body data for consumerist agendas is rarely discussed beyond the fine print on these devices. More awareness and education on these ethical issues would allow more access, ownership, and creativity in the use of one’s own body data, enabling new methods to express personal identity through this data. This paper will discuss how the ethical issues of wearable data collection can be addressed, and the new collaborative project by the authors, which focuses on bringing performers together to address data ownership and personal identity using wearable technology through performance experiments. The second part of this paper will also outline Baker’s new research initiative, a meetup or working group, with the long-term intention to develop into a collaborative, non-institutional research laboratory. This group’s initial focus has a longer-term view to find solutions for more ethical, aesthetics, sustainable, and expressive wearable interfaces, using etextiles and emerging technologies, especially for art and performance. This paper will include and outline potential panel discussion topics at the EVA Conference, addressed herein

    Frankensteins and cyborgs: Visions of the global future in an age of technology

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    This article is not available through ChesterRep.This paper draws attention to the role of representation in the depiction of scientific and technological innovation as a means of understanding the narratives that circulate concerning the shape of things to come. It considers how metaphors play an important part in the conduct of scientific explanation, and how they do more than describe the world in helping also to shape expectations, normalise particular choices, establish priorities and create needs. In surveying the range of metaphorical responses to the digital and biotechnological age, we will see how technologies are regarded both as ’endangerment’ and ’promise’. What we believe ’technology’ is doing to ’us’ reflects important implicit philosophies of technology and its relationship to human agency and political choice; yet we also need to be alert to the assumptions about ’human nature’ itself which inform such reactions. The paper argues that embedded in the various representations implicit in new technologies are crucial issues of identity, community and justice: what it means to be (post)human, who is (and is not) entitled to the rewards of technological advancement, what priorities (and whose interests) will inform the shape of global humanity into the next century

    Becoming cyborg: Interdisciplinary approaches for exoskeleton research

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    This paper describes novel interdisciplinary approaches for the design and training of cyborg technologies, specifically upper body exoskeletons. EXACT: Exoskeletons, Art and Choreographic Training is a multi-faceted research effort that uses dance performance and experimental trials to study the effects of movement and live performance on exoskeleton training. The goal is to combine research methods from the arts with human robot interaction (HRI) research. The rationale for using ethnographic methods (which privilege qualitative analysis through video data and multimodal interaction analysis) within an HRI framework is to develop nuanced approaches for studying embodiment and techno-corporeality in socially-situated contexts. This investigation has led to the development of new evaluation tools and frameworks for studying human-machine interaction, including human-centred assessments and custom virtual reality tools that allow for fine-grained analysis. An interdisciplinary approach is essential for studying the corporeal experience in human-machine interactions
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